Like the monastic, the knightly vow bound with common ties warriors of every nation and condition, and enrolled them in a vast brotherhood of manners, ideals, and aims. The secular brotherhood had, like the regular its rule imposing on its members fidelity to their; lords and to their word, fair play on the battlefield, and the observance of the maxims of honour and courtesy. Medieval chivalry, moreover, opened a new chapter in the history of literature. It prepared the way and gave ready currency to an epic and romantic movement in literature reflecting the ideal of knighthood and celebrating its accomplishment and achievements. Provence and Normandy were the chief centres of this kind of literature, which was spread throughout all Europe by the trouv*res and troubadours.

THIRD PERIOD: SECULAR CHIVALRY

After the Crusades chivalry gradually lost its religious aspect. In this, its third period, honour remains the peculiar worship of knighthood. This spirit is manifested in the many knightly exploits which fill the annals of the long contest between England and France during the Hundred Years War. The chronicles of Froissart give a vivid picture of this age, where bloody battles alternate with tournaments and gorgeous pageants. Each contending nation has its heroes. If England could boast of the victories of the Black Prince, Chandos, and Talbot, France could pride herself on the exploits of Du Guesclin, Boucicaut, and Dunois. But with all the brilliance and glamour of their achievements, the main result was a useless shedding of blood, waste of money, and misery for the lower classes. The amorous character of the new literature had contributed not a little to deflect chivalry from its original ideal. Under the influence of the romances love now became the mainspring of chivalry. As a consequence there arose a new type of chevalier, vowed to the service of some noble lady, who could even be another man's wife. This idol of his heart was to be worshipped at a distance. Unfortunately, notwithstanding the obligations imposed upon the knightly lover, these extravagant fancies often led to lamentable results.

In its last stages, chivalry became a mere court service. The Order of the Garter, founded in 1348 by Edward III of England, the Order of the Golden Fleece (Toison d'or) of Philip of Burgundy, dating from 1430, formed a brotherhood, not of crusaders, but of courtiers, with no other aim than to contribute to the splendor of the sovereign. Their most serious business was the sport of jousts and tournaments. They made their vows not in chapels, but in banquet halls, not on the cross, but on some emblematic bird. The "vow of the Swan" of 1306, was instituted during the feast of the dubbing of the son of Edward I. It was before God and the swan that the old king swore with his knights to avenge on Scotland the murder of his lieutenant. More celebrated is the "vow of the Pheasant," made in 1454 at the court of Philip of Burgundy. The motive was weighty indeed, being nothing else than the rescue of Constantinople, which had fallen the past year into the hands of the Turks. But the solemnity of the motive did not lessen the frivolity of the occasion. A solemn vow was taken before God and the pheasant at a gorgeous banquet, the profligate cost of which might better have been devoted to the expedition itself. No less than one hundred and fifty knights, the flower of the nobility, repeated the vow, but the enterprise came to nought. Chivalry had degenerated to a futile pastime and an empty promise.

Literature, which had in the past so greatly contributed to the exaltation of chivalry, now reacted against its extravagances. In the early part of the fourteenth century this turning point becomes evident in the poetry of Chaucer. Although he himself had made many translations from the French romances, he mildly derides their manner in his "Sir Thopas." The final blow was reserved for the immortal work of Cervantes, Don Quixote, which aroused the laughter of all Europe. Infantry, on its revival as an effective force on the battlefield during the fourteenth century began to dispute the supremacy which heavy cavalry had so long enjoyed. Chivalry which rested entirely upon the superiority of the horseman in warfare, rapidly declined. At Cr*cy (1346) and Agincourt (1415) the French knighthood was decimated by the arrows of the English archers of Edward III and Henry V. The Austrian nobility at Sempach (1386) and the Burgundian chivalry at Morat (1476) were unable to sustain the overpowering onslaught of the Swiss peasantry. With the advent of gunpowder and the general use of firearms in battle, chivalry rapidly disintegrated and finally disappeared altogether. CH. MOELLER From the Catholic Encyclopedia, copyright © 1913